It is rare that an artist has the opportunity to change the history of art, let alone during their lifetime. Beginning in the 1970's when William Morris worked as Dale Chihuly's gaffer to his retirement from blowing glass in 2007, he has been a major player for over three decades in the studio glass movement. He approached the medium with a unique vision, one that wasn't dependent on solely achieving beauty. Rather Morris took glass down a different path than his predecessors, one that embraced the ability of the material to transform into wood, bone, fiber and sinew- objects that appear as if they have been unearthed as part of the archaeological record. Viewer's often pose similar questions about these contemporary sculptures as they would about the ancient objects that inspired them. How was it used? How was it made? What is it? Much of the power of the art created by William Morris resides in this element of mystery. By tapping into the psychic unity or collective consciousness shared among all people regardless of where or when they lived, Morris attempted to harness a universal energy. This inspiration guided his work, as he strove to create new forms that did not already exist but yet were sprung from the mindset of the specific people or cultures that captivated him. Numerous artists have attempted to follow the path laid out by Morris, but he is unique not only for his vision but the exceptional technical ability displayed by the artist and his team.